Junseok MO: My work aims to find the possibility of living with others through linear sculpture.
These dwellings represent humanity; they are built without walls between them. They are transparent. From the outside, it appears that there are many houses, but there is a common space inside. Thus, even if people are different in their characteristics and appearance, when they understand each other, they can live together and form a community.
Myoungnam KIM: With the “Sumukhwa” series, watercolors and Indian ink, Myoungnam KIM revives, or even continues, the strict tradition of the Korean school of Dansaekhwa, literally the monochrome style, inspired by the masters of the 1960s, whose living representatives are: Chung Sang-Hwa (1932), Ha Chong-Hyun (1935), Lee Ufan (1936), and Park Seo-Bo (1931).
Titane Greindl: Raku, a Korean glazing technique, developed in Japan in the 16th century. This firing technique was linked to the tea ceremony, as the bowl was glazed and fired before drinking tea. The origin of the word is linked to this ceremony. Taiko, master of the tea ceremony, presented a gold seal engraved with an ideogram to the Korean Chôjiro Raku, son of the Korean potter Ameya, in 1598.